The discographycal notes on Trio seems here to be correct: 7 tracks recorded part in 1966 (12th of February) with the trio, and the other four in 1971 with the quartet. As reference discographycal tool I use the digital version of Bruyninckx “70 years of recorded jazz” I’ve taken a look at the discographycal sites You quote and I must thanks You for they presents all the original covers, but I think they are not so well for discog info, full of mistakes and not helpful in clarifyin’ some doubts The Paris Concert You’ve posted was originally issued on a double LP by the Japan label named Trio PA 1769/1770 (this is the vinil rip of that double Lp(?)). Try to help a little in clarifiyn’ some discographycal confusion. I know by some time Your amazing blog that, togheter with CIA, Folly For To See That, Huppes And Hyalites…and not so many others, is in my opinion one of the best places of the net. I was looking for some Ornette Records and found all this very good music. Hi sotise, first of all thanks to YOU, een and sotisier for all Your good work and generosity. Note: (*) Izenzon, Moffett, FebruNote: Redman, Haden, Blackwell, 1971, Only Japan IssuedDiscographical sources.Ornette Coleman(as,tp,vln), David Izenzon(b), Charles Moffett(d), Dewey Redman(ts),.Paris Concert / Ornette Coleman: Trio PA7169 (2LPs).The only constantly circulated discs by the quartet with redman ,and Blackwell seem to be the good but otherwise very slick and manicured records on blue note “new york is now” and ‘love call” so its great to hear this again and a pristine rip too!!Perhaps at some point in time someone will see fit to share the scandalously neglected impulse records ‘crisis’ and ‘ornette at twelve’ which have been out of print for many years I recall having heard other live material by this group ,notably an lp boot released by French label musidisc in the early 70’s in very atrocious sound. and this is a sonically relatively superb documentation of what must have been a stunning group live. Whatever its provenance, ultimately it’s the music which matters. There seems a level of uncertainty about whether any of this set was recorded in 66 featuring izenzion and moffett, as opposed to haden and Blackwell. highly contended discographical provenence. Definitely a set that ought to be better known and circulated.magnificently recorded for what I believe was basically an un authorised release.(glmlr disagrees with me here, my source is an only dimly remembered discographical note in an insert to one of ornettes artist house lp’s.and since I don’t have my records with me at this moment ,I cant actually confirm that suspicion)

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